6400,00 Kč
Neuvěříte, že tato malá krabička neobsahuje pásek. Tak věrný zvuk nabízí Belle Epoch Tape Echo. Tento efekt je inspirován pravděpodobně nejznámějším páskovýn delay, Maestro Echoplex EP – 3. To vše o velikosti klasického pedálu a to bez nutnosti udržovat pásek nebo čištění hlav. Catalinbread si udělali jméno díky důrazu na kvalitu a tento efekt to rozhodně potvrzuje… a tento efekt to rozhodně potvrzuje … to rozhodně potvrzuje… potvrzuje.
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The Bootleg is an analog delay that utilizes the Princeton 2399 IC. This was designed to give classic tones that sound similar to vintage tape machines, increasingly more lo-fi and dirty when driven at intense or longer settings. This could be like any other lo-fi delay…until you get caught in the Dirt! This knob adds gain to the repeats, giving it a nasty aftertaste, which we love! The decay becomes brighter as it tails off…the opposite of most “tape style” delay units. With Tap Tempo input for remote setting capability using a momentary switch, its easy to set this dirty little scoundrel on the fly!
If you want to break down your guitar tone into bits, pieces, waves or puddles, there are at least a dozen ways to do it with this piece of magic! Complete with eight digital effects that work with or without a built in digital fuzz, the BitQuest offers flanger, HP/LP filter, bit crusher, infinite reverb, notch filter, ring mod, pitch shift and glitch delay, all in one pedal. No matter where the future takes you, BitQuest has got you covered.
The Topanga by Catalinbread is a modern recreation of the outboard spring reverbs that dominated 1960’s surf rock, spaghetti western soundtracks and many other great 60’s sounds. You cannot imagine Dick Dale playing guitar without one of these. Catalinbread has taken these huge lunchbox sized effects and put it into a pedalboard sized stomper. The effect is not just for convenience. It sounds so close to the original, it is amazing! Another aspect of these outboard effects is that they ran in front of the amp, acting also a bit like a pre-amp and colouring the sound as it enters the amp itself. Along with the standard dwell (intensity of the signal to the spring), tone (cut to high frequencies) and mix (the wet signal), there is a volume knob that acts as a pre-amp boost in this same nature. Turn all reverb off, and you have a clean boost pedal at your tippy-toes – a 2 in 1 pedal! Enjoy the drip drip drip!
**scratched**
For those who would dare to launch into the heavenly havoc of infinite reverb…
Inspired by the the ultra-modern line 14 of the Paris Métro with its shiny platforms of glass, steel and tile that add super cool sonic impressions. This reverb pedal keeps the original signal path analog and pure, while giving you overdrive and regeneration controls to take you from spring reverb sounds to something much bigger. The controls are very interactive with each other, and as per Caroline tradition, this pedal can get VERY loud. Attack sets the amount of gain in the preamp, allowing you to boost or overdrive the reverb. Size establishes the initial reverberation. Regeneration extends the decay and adds overtones, set both this and Size high and the pedal can run away and self oscillate. Level is the overall volume of the effect relative to your original signal. The Dark/Bright toggle sets the overall voice. Holding down the temporary Havoc footswitch can create extended, seemingly infinite holds, gradual runaways or instant collapse, depending on the Size setting. Releasing it will return the effect to the level of the Regeneration control.
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